Monumentalizing the Trace presents the first solo exhibition by the collaborative artist duo TREIZMAN + ZURILLA, formed by Miami-based artists Denise Treizman and Julia Zurilla, on view at The Frank C. Ortis Art Gallery from May 14 through August 29, 2026. Conceived as a continuous installation that unfolds across the gallery, the exhibition transforms the space into an immersive environment where image, material, and architecture converge.
Working across video, sculpture, and spatial intervention, Treizman and Zurilla construct a dynamic dialogue between analog and digital processes, presence and absence, permanence and impermanence. Familiar elements appear displaced and reconfigured, inviting viewers to reconsider the ways objects, images, and fragments accumulate meaning over time. Rather than presenting the monument as a fixed symbol of permanence, the artists shift attention toward the trace—the fragment, the remainder, the subtle evidence of transformation. In doing so, Monumentalizing the Trace proposes that what endures after change—the residual mark, the fleeting image, the material echo—may itself become a form of monument.
The collaboration between Treizman and Zurilla emerged from a shared interest in tension, contradiction, and material interplay as generative forces. What began as an experimental encounter during Stile Tale at Satellite Art Show in 2023 has evolved into an ongoing artistic investigation into how two distinct practices can remain intact while producing a shared visual language. Their work embraces paradox as a creative engine, placing opposites in productive relation: material and immaterial, analog and digital, fragility and structure, excess and restraint.
This investigation has taken form in immersive installations such as Coincidentia Oppositorum (2023), DREAMCATCHER (infinity loop) (2024), and Luminous Vacancy (2025). Through these environments, TREIZMAN + ZURILLA approach collaboration not as fusion, but as a dynamic space where difference becomes the catalyst for new aesthetic and conceptual territories.