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Current Exhibition

Adventum Floridana

Of Seeing and Being

March 13 – June 7, 2025

Adventum Floridana invites viewers to experience Florida’s transforming landscapes through the embodied and painterly lens of Cuban-born artist Andrés Cabrera-García. Working with oil on canvas and found materials, Cabrera-García captures the fragile tension between natural environments and the encroachment of modern development.

Rather than depicting idealized vistas, his large-scale paintings explore the in-between spaces—bridges, roadsides, and construction zones—where urban expansion collides with ecological memory. Inspired by the philosophy of Maurice Merleau-Ponty and his notion of perception as a bodily, immersive act, the exhibition considers landscape not as a backdrop, but as a living archive of time, memory, and transformation.

At the center of the exhibition is Platonic Ridge, a monumental polyptych that reimagines the Atlantic Coastal Ridge—a natural formation steeped in Indigenous and geological history—as a dreamlike terrain of loss and regeneration. Alongside the paintings, fragments of construction debris collected by the artist function as sculptural traces, grounding the works in the physical world they represent.

Blending personal memory with anthropological and ecological inquiry, Adventum Floridana bears witness to a horizon in flux. In doing so, it asks us to slow down, to feel, and to consider what remains when landscapes shift—and what can be preserved through art.

Artists: Andrés Cabrera-Garcia

Curated by Sophie Bonet

March 13 – June 7, 2025

Of Seeing and Being delves into profound questions of presence, absence, and the interplay between the visible and the hidden. Drawing inspiration from Martin Heidegger’s concepts of Dasein (“Being there”) and Poiesis (the creative act of bringing forth Being), the exhibition offers a thought-provoking exploration of identity, temporality, and the human relationship with the environment.
Giannina Dwin’s practice incorporates ephemeral materials such as salt to symbolize the delicate balance between durability and impermanence. Her sculptures, inspired by mangrove roots and seeds, and her depictions of the female form in ceramic works evoke themes of memory, transformation, and resistance.
Tony Fernandez’s photographic abstractions present a poetic and cinematic interpretation of the Deering Estate’s natural landscapes. His depictions of mangroves and banyan roots transcend mere documentation, blurring the line between the seen and unseen, and inviting viewers to engage deeply with their surroundings.

Artists: Giannina Dwin and Tony Fernandez

Curated by Liliam Dominguez, Head Curator and Museum and Collections Manager, Deering Estate
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