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Hyphenated Encounters: A Practice of Place

Presented across two distinct but interconnected curatorial projects, Hyphenated Encounters: A Practice of Place, curated by Sophie Bonet, Chief Curator of The Frank C. Ortis Art Gallery, traces more than three decades of Garcia-Roig's evolving relationship to place through paintings and mixed-media works. Deering Estate Residency: Lilian Garcia-Roig, Site, and the Labor of Belonging, curated by Liliam Dominguez, Head Curator of Deering Estate, centers on work developed during the artist's 2024 residency, highlighting her site-responsive approach to painting through new works and an accompanying short film by fellow Artist-in-Residence Jorge Gonzalez Graupera.

Hyphenated Encounters will be on view at The Frank from September 17 to January 17, 2027. Admission is free and open to the public Wednesday to Sunday from 11 AM to 5 PM.
Hyphenated Encounters: A Practice of Place

Spanning more than three decades of artistic practice, Lilian Garcia-Roig: A Practice of Place brings together a selection of paintings and mixed-media works by Cuban American artist Lilian Garcia-Roig. The exhibition traces the evolution of her sustained engagement with landscape, revealing how close observation, material experimentation, and lived experience have shaped a practice rooted in place.

From the subtropical environments of South Florida to the limestone valleys of Cuba, Garcia-Roig's work invites viewers to experience landscape as something inhabited rather than simply observed. A recipient of a John Simon Guggenheim Memorial Foundation Fellowship, Garcia-Roig is recognized as one of the leading voices in contemporary landscape painting. Together, the works on view offer a compelling survey of an artistic practice that continues to evolve while remaining deeply connected to the environments that inspire it.

Curated by Sophie Bonet, Chief Curator, The Frank C. Ortis Art Gallery


Deering Estate Residency: Lilian Garcia-Roig, Site, and the Labor of Belonging

Part of the Deering Estate AT program, this exhibition features Lilian Garcia-Roig, who is widely recognized as an on-site painter, though the term only begins to describe her practice. Rather than painting a landscape from a distance, Garcia-Roig paints directly with it, treating each location as a living field of negotiation between memory, perception, and presence. Over time, the tropical landscape has become essential to her visual language. Florida's banyans, mangroves, sabal palms, and strangler figs offer a natural vocabulary that speaks to her Cuban heritage, one built on entanglement rather than hierarchy, and on lateral growth and survival rather than singular dominance.

During her 2024 residency at the Deering Estate, Garcia-Roig immersed herself in the property's own tangled terrain, working directly on-site.The resulting body of work reflects a sustained, site-specific engagement, continuing her long practice of letting the landscape shape the painting rather than the other way around. Complementing Garcia Roig’s work, an exclusive short film created by fellow Artist-in-Residence Jorge Gonzalez Graupera deepens the viewer’s connection to these themes.

Curated by Liliam Dominguez, Head Curator, Deering Estate


Artist Bio

Lilian Garcia-Roig is a Cuba born, Texas raised artist living/teaching in Tallahassee, Florida but now splitting time in her studio in Kerhonkson, New York. As an immigrant/Latinx artist, Garcia-Roig uses landscape and the natural world as a lens to connect to where she is now but also to unpack the relationship to history she lost when her family fled Cuba.

Drawing from the perceptual to conceptual experiences of landscape, Garcia-Roig’s paintings use the materiality and process of paint to explore her own connections to land and place. Her most extensive and widely shown works are from the “Cumulative Nature” and “Hyperbolic Nature” series. These large-scale, often multi-panel, cumulative “plein air” paintings are made over the course of the entire day(s) and capture the multidimensional and ever-changing experience of being in and connecting to a specific location. Often traveling across the US, these on-site works are immersive expressions of bodily movement, capturing fleeting moments of time while revealing both the illusionistic and abstract possibilities of painting. In her Cuba-centered series, she uses Cuban soil as the medium to depict images of her homeland in dialog with the Albers square of her Bauhausian education.

Throughout all her series, Garcia-Roig’s practice links her Cuban and American identities in different ways by speaking to the differences in the experience of place—the closeness of the American South versus the forced distance of the Cuban landscape. Referencing histories of painting, representations of land, and legacies of place, the works express the complexity of her hyphenated identity.

She has shown at many museums including: El Chopo Museum in Mexico City, Americas Society Gallery in NYC, National Museum of Women in the Arts, Art Museum of the Americas, Museum of Latin American Art (MOLAA in Long Beach, CA), Portland Museum of Art, AKG Art Museum in Buffalo, Colby Art Museum, Huntsville Museum of Art, The America’s Society, The Painting Center in NYC, and has shown in most museums in Texas and Florida. She has works in numerous museum collections including The Perez Art Museum Miami (PAMM).

Her MFA is from the University of Pennsylvania and her BFA is from Southern Methodist University. From 1991 to 2000 she was a tenured Associate Professor of Studio Art at the University of Texas at Austin before moving to Tallahassee to teach at Florida State University where she served as Director of Graduate Studies to Chair of the Art Department and is currently a Robert O. Lawton Distinguished University Professor.

Major awards include a Guggenheim Fellowship, Blackwell Prize in Painting, Joan Mitchell Foundation Award in Painting, Mid-America Arts Alliance/NEA Fellowship Award in Painting, State of Florida Individual Artist Fellowship Award and Kimbrough Award from the Dallas Museum of Art. Residencies include a Skowhegan School of Painting and Sculpture Fellowship, Vermont Studio Center Artist’s Fellowship, Hambidge Arts Center, MacDowell Milton & Sally Avery Fellowship, Joan Mitchell Center, Art Omi Milton & Sally Avery Fellow, Millay CORE Fellow, Byrdcliffe Pollock- Krasner Fellow, Deering Estate, Surf Point, and as a visiting artist at the Ludwig Foundation in Havana, Cuba.


About Deering Estate

Deering Estate, located at 16701 SW 72 Ave. in Miami, is a 21st Century house museum, cultural and ecological field station, and a national landmark listed on the National Register of Historic Places, owned by the State of Florida and managed by Miami-Dade County Parks, Recreation and Open Spaces Department. Deering Estate is designated as one of seven Miami-Dade County “Heritage Parks” which have a vital role in our community’s history, environment and in providing recreational and cultural experiences.

Cultural Arts Programming at the Deering Estate is made possible with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and The Deering Estate Foundation, Inc.

Deering Estate AT program

The Deering Estate AT program consists of a joint venture with other cultural institutions to showcase Deering Estate Artists-in-Residence (AIRs) and artists who had been part of the season’s cultural roster outside the Estate. It aims to enhance each institution’s reach and resources to achieve a common goal: expanding the artists’ cultural reach by making diverse artistic expressions accessible to a broader audience. The program fosters creative synergy and community connections through art exhibitions, cultural performances, and dynamic programming. The Deering Estate AT The Frank program exemplifies the Estate’s commitment to supporting current and past AIRs and elevating their practice at every stage of their careers while honoring the spirit of innovation and discovery that the Deering Estate inspires and underscoring the importance of alliances that bridge institutional boundaries.

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